Selected Solo Exhibitions
Zimmerman-Kratochwill Gallery, Graz, Austria, September-November, 2015
ShoshanaWayneGallery, Santa Monica, CA, November-January, 2014
Phillips Collection, Washington. D.C. February 2013
Galerie de France, Paris, May 2012*
McKee Gallery, New York 2012*
ShoshanaWayne Gallery, Santa Monica, November 2009
McKee Gallery, New York, 2008*
Seomi Gallery, Seoul, Korea, 2006
Butler Museum, Kilkenny Castle, Kilkenny, Ireland, 2006
Woodruff Center for the Arts, Atlanta, Georgia, April, 2006, Project Room
McKee Gallery, New York, May, 2003, April, 2000, March, l997, September, l994*
Shoshana Wayne Gallery, Santa Monica, CA, September, 2005, February, 2002, February l998
Paule Anglim Gallery, San Francisco, CA, September, 2002, May, l995
Whitney Museum , New York, l999.
Studio La Citta, Verona, Italy, l995
Nathalie Obadia Gallery, Paris, March, l999, December, l994
Rocca Paolina, Perugia Italy, l996
Wright Museum of Art, Beloit, WI, ten-year survey, l998*
Institute of Contemporary Art, Philadelphia, PA, February, l996*
Christine Burgin Gallery, New York, New York, June, l990
PS l, Long Island City, New York, October, l982
Selected Group Exhibitions
"Defining Sculpture," Albright Knox Museum, New York, curated by Doug Dreishpoon, June 18, October 9, 2016
"A Weed is a Plant Out of Place", Lismore Castle, Lismore Co., Waterford, Ireland, curated by Allegra Pesenti, April 2, September 30, 2016
"Don't Panic; It's Organic," Zimmerman Kratochwill Gallery, Graz, Austria, January, 2016
“Four Sculptors,”McKee Gallery, New York, January, 2015
“Beastly Beauty,” New York Academy of Art, January, 2015, New York
“Nature’s Knot,” Luise Ross Gallery, December-January 2015, New York
“Aspects of the Self,: Moss Arts Center, March 21- April 27, 2014, Virginia Tech, Virginia
“Gravity of Sculpture, Part II,” curated by Saul Ostrow, Dorsky Gallery, New York, 2013
“Work from collection,” Sheldon Museum, Lincoln Nebraska
“Skin,” Royal Hibernian Academy, Dublin, March 2012
“Burning Bright,” Pace Gallery, October, 2012
“Sculpture/Video”, Dorsky Gallery, January, 2012
“B-19,” LIU gallery, May, 2012
“Toward a Philosophy of the Everyday”, Castle Gallery, New York, Septemer 2011
“Nature/Artifice,” the Museum of Art, Rhode Island School of Design, April, 2009 through February 2010
“Ouverture,” Moeller Fine Art, Berlin, April 28-Jue 20, 2009
“Dead Center/Marginal Notes:Peter Downsborough/Jeanne Silverthorne” Western Exhibitions Gallery, Chicago, 2008
“Small Bodies,” McKee Gallery, New York, April-May, 2007
“Humor’s Lines,” curated by Doug Dreishpoon, Maier Museum, Jan.-Apr., 2007
“Against the Grain,” Museum of Modern Art, New York, May, 2006
“Six Individuals,” Sheldon Art Museum, Lincoln, Nebraska, November, 2005
“Floorplay,” Brooklyn War Memorial, November 11-December11, 2004.
“Rodin: A Magnificent Obsession,” Albright-Knox Gallery, Fall, 2004.
AFFAIR, Portland, Oregon, Fall, 2004
“Materials, Metaphors, Narratives: Work by Six Contemporary Artists—Petah Coyne, Lesley Dill, Ken Price, Tom Sachs, Jeanne Silverthorne, Fred Tomaselli,”Albright-Knox Museum, Buffalo, NY, October, 2003-January, 2004.
“Pioneering Spirits,” Scottsdale Museum, Phoenix, Arizona, February, 2004
“Cool and Collected,” Weatherspoon Museum, Spring, 2004
“Chain Reaction,” Williams College Museum, Massachusetts, Tang Museum, New York, 2001-2002*
“Aquaria,” Landesgalerie am Oberosterrreichischen, Landesmuseum, Linz, and Kunstsammlungen, Chemnitz, Austria, 2002*
“Locating Drawing,” Lawing Gallery, Houston, Texas, 2001
“Le Corps morcele,” Fondation d’Art Contemporain, les Nesnuls, France, 2000
“Photasm,” Hunter College, Times Square Gallery, New York, 2000
“American Art Today: Fantasies & Curiosities” The Art Museum at Florida International University, Miami, Florida, 2000*
“Of the Moment: Contemporary Art from the Permanent Collection,” San Francisco Museum of Modern Art, San Francisco, 2000
“The Likeness of Being,” DC Moore Gallery, New York, 2000
“l999 Drawings,” Alexander and Bonin Gallery, New York, l999-2000
“Description Without Place,” Staff USA, New York, l999
“Loaf,” Baumgarten Gallery, New York, l999
“Skin,” Deste Foundation, Athens, Greece, l999*
“Unprivileged Spaces,” Boras Konstmuseum, Bildmuseet, Umea, and Edsvik Konstock Kultur, Sollentuna, Sweden, l999*
“A Pound of Flesh,” Cynthia Broan Gallery, New York, l998
“The Edward R. Broida Collection,” Orlando Museum of Art, Orlando, Florida, l998*
“Technological Drift,” Lawing Gallery, Houston, Texas, l997-98
“Deep Storage,” Munich, Berlin, New York, Seattle, l997-98*
“Rubber,” Robert Miller Gallery, New York, l998
“Gothic,” ICA Boston, l997*
“Frankensteinian,” Caren Golden Fine Art, New York, l997
“Across Lines: Drawings by Contemporary Sculptors,” Hofstra University, New York, l997
“Metamorphosis,” Galleria Claudia Gian Ferrari, Milan, Italy, l997*
“Laughter Ten Years After,” Wesleyan University, Connecticut, Beaver College Art Gallery, Spruance Art Center, Pennsylvania, University of British Columbia, l996*
“Configura, Dialog der Kulturen,” Erfurt, Germany, l995*
“Verisimiltude and the Utility of Doubt,” White Columns, New York, l995
“For Appearance Sake,” Horodner Romley Gallery, New York, l994
“Reveillons,” Stux Gallery,New York, l994
“Drama,” Max Protetch Gallery, New York, l994
“Everyday Life, Kim Light Gallery, Los Angeles, California, l993
“Angie Anakis, Daniel, Devine, Alain Kirili, Jeanne Silverthorne, Jessica Stockholder, Franz West, Stephane Stener,” Nathatlie Obadia Gallery, Paris, l993
“Kurswechsel,” TransArt Exhibitions, Cologne, l993
“Surface Tension,” Michael Klein Gallery, New York, l993
“Jours Tranquilles a Clichy,” Paris, l993
“Underlay,” 15 Renwick Street, New York, l993
”I Am the Enunciator,” Threadwaxing Space, New York, l993
“Daniel Devine, Alain Kirili, Jeanne Silverthorne,” Stux Gallery, New York, l993
“A Marked Difference,” Arti et Amicitiae, Amsterdam, l992*
“The Curio Shop,” Threadwaxing Space, New York, l992*
“Love Gone Bad,” Richard Anderson Gallery, New York, l992
“The Politics of Still Life,” Real Artways and Trinity College, Connecticut, Kohler Arts Center, Sheboygan, Wisconsin, l992*
“New York Defrost,” The Living Room, Amsterdam, l992
“Lili Dujourie, Jeanne Silverthorne, Pia Stadtbaumer, Rachel Whiteread,” Christine Burgin Gallery, New York, l992
“Shooter’s Hill,” AC Project Space, New York, l991
“Plaster at Last,” New York Studio School, New York, l991
“Physical Relief,” Hunter College, New York, l99l*
“Social Studies,” Allen Memorial Art Museum, Oberlin, Ohio, l99l*
“Vertigo Part II” Thaddeus Ropac Gallery, Salzburg, l99l*
“Rope,” Alcolea Gallery, Barcelona, l99l
“Bain Douche,” Simon Watson Gallery, New York, l99l
“Imelda’s Shoes,” Richard Anderson Gallery, New York, l99l
“Gender Out of the Garden,” Barbara Fendrick Gallery,New York, l990
“Vertigo,” Thaddeus Ropac Gallery, Paris, l990*
“Matter and Memory,” Marta Cervera” Gallery, New York, l990
“Fragments, Parts, and Wholes,” White Columns, New York, l990
“Group Exhibition,” American Fine Arts Gallery, New York, l989
Adams, Brooks. Review. Art in America, January, l99l.
“Against the Grain.” Catalogue, MOMA,
Albertini, Rosanna. “Moonlight in a Cup,” The Kite, November14, 2014
Arning, Bill. “Two Serious Ladies. “ The Village Voice. April 9, l996, p.82.
Arning, Bill. “Jeanne Silverthorne: The Studio Stripped Bare Again.” Time Out-New York, September 2-9, l999.
Baker, Kenneth. “Silverthorne Pipes Meaning into Existential Sculptures.” San Francisco Chronicle, September 1, 2002.
Baker, Kenneth. Review. Art News, November, 2002.
Bass, Ruth. Review. ARTnews, January, l995.
Bertini, Sabina, “Jeanne Silverthorne,” Tema Celeste-Arte Contemporanea, Primavera, l996.
Bonomi, Giorgio. “Reality and Fiction in the Metaphysical Subjectivity of Jeanne Silverthorne.” Titolo, translated by Jane Oliensis, anno XI< Fall 2000.
Boulbes, Carole. “Jeanne Silverthorne.” Art Press, February, l995.
Camhi, Leslie, “Rubber Maid.” The Village Voice, March 25, l997.
Canning, Susan. “Jeanne Silverthorne,” Sculpture, October, l996.
“Chain#7 memoir/anti-memoir.” Small Press Distrubtion, Berkely, California 2000.
“Chain Reaction,” Williams College Museum of Art, Williamstown and the Tang Museum, NY, Distributed Art Publishers, NY,NY 2001.
Collins, Judy. “Sculpture Now.” Phaidon, 2007.
Cotter, Holland, Review. New York Times, September 16, l994
Cotter, Holland. Review. New York Times, August 13, l999.
Delgado, Alvaro, “Jeanne Silverthorne,” feature, “Destino”
Dobryzynski, Judith. “Anonymous Gifts for Art, So Women Creating It Aren’t.” The New York Times, October 1, l997.
Douglas, Sara. The Art Newspaper, February, 2002.
Dreishpoon, Doug, Sculpture Rodin to Now (working title), University of California Press, 2018
Dunne, Aidan. “The Arts,” The Irish Times, Aug 17, 2006, p.14.
Flock, Sabine, ed. "Naturally Hypernatural I. Concepts of Nature", Karl-Franzens-Universitat Institut fur Kunstgeschichte, 2016
Flynn, Tom. “The Body in Three Dimensions.” Harry N. Abrams, Inc., NY, NY,l998.
Frank, Peter. “Art Picks of the Week: Mowry Baden, Jeanne Silverthorne.” LA Weekly, March l1-l9, l998.
Frankel, David. “Jeanne Silverthorne, Whitney Museum of American Art at Philip Morris.” Artforum, January 2000.
Frankel, David. “Jeanne Silverthorne, McKee Gallery,” Artforum, September 2008
Gaasch, Cynnie, “ArtVoice,” September 25, 2003
Geer, Suvan. “Visual Art Source, December, 2014
Gibson, Wesley. “Jeanne Silverthorne. “ New Art Examiner, December l999-January 2000.
Gelber, Eric. “Arts and Letters,” The New York Sun, Thursday, April 6, 2007
Glueck, Grace. “The Antithesis of Minimalism’s Cool Geometry; Fleshy Rubber.” The New York Times, Friday, February, l989.
Gleuck, Grace. “Jeanne Silverthorne.” The New York Times, May 12, 2000.
Goodman, Jonathan. “Exhibitions, The Studio Stripped Bare, Again: Jeanne Silverthorne. Contemporary Visual Arts, Issue 26.
Gookin, Kirby. Review. Artforum, October, l990.
Harrison, Helen. Review. New York Times, November 14, l993.
Hillstrom, Laurie Collier and Kevin Hillstrom, eds. Contemporary Women Artists, Detroit, St. James Press, l999.
Hohmeyer, Jurgen. “Sklave in der Kiste,” Der Spiegel, September, l995.
Houdek, Richard. “Complex Contraptions of Rube Golderg at WCMA.” The Berkshire Eagle, Friday, July 20,2001.
Isaac, JoAnna. Feminism and Contemporary Art: The Revolutionary Power of Women’s Laughter, New York, Routledge, l996.
Johnson, Ken, The New York Times, Friday, May 16, 2003.
Kelley, Ethan. “Mechanical, Satirical.” North Adams Transcript, July 21, 200l.
Kelly, James J. “The Sculptural Idea,” Fourth Edition, Waveland Press, Include., Long Grove, Illinois, 2004.
Kimmelman, Michael. Review. New York Times, March 7, l997
Kirili, Alain. “Who’s Afraid of Abstract Modeling?” Tema Celeste, April-May, l992.
Korotkin, Joyce. “The Likeness of Being.” Art Review. The New York Art World, February 2000.
Leigh, Christian. Review. Contemporanea, November, l990.
Levin, Kim. “Choices.” Village Voice, August 1, l989.
Levin, Kim. “Choices.” Village Voice, December 17, l99l.
Levin, Kim. “Choices.” Village Voice, September 20, l994.
Levin, Kim. “Choices.” Village Voice, March 4, l997.
Levin, Kim. “Wired.” The Village Voice, August 17, l999.
Licata, Elizabeth, “Well Worked Materials,” Buffalo Spree, Spree Arts, November 2003
Liebman, Lisa. Review. The New Yorker, June 25, l990.
“The Likeness of Being.” ARTnewsroom.com. Winter, 2000.
McAdam, Alfred. Review. “Artnews,” Summer 2008
“The Margulies Collection,” The Martin Z. Margulies Foundation, Miami, 2009
Massaccessi, Rossano. “Verona, Alberto Garutti, Jeanne Silverthorne,” Art Leader, November-December, l995.
McQuaid, Cate. “Homage paid to Hopkins, Goldberg.” Boston Sunday Globe, August 26, 2001.
Meneghelli, Luigi, “Un passato che pulsa.” Cronaca Delle Arti, December, l995.
Miokovic, Alex and Heidi Nickisher, “Narrating the Visceral Object,” Rochester City News, Fall, 2003
Mizota, Sharon. “Follow the Bouncing Exhibit.” LosAngeles Times, November 6, 2009.
Myers, Holly. “Bas-Relief abstractions Give New Form to Human Emotions.” LosAngeles Times, February 28, 2002.
Nahas, Dominique. “Rubber.” Review, February 15, l998.
Neel, Alex. “Critic’s Picks,” Time Out-New York, July 29, August 5, l999.
Neff, Eileen. Review. Artforum. October, l996.
New York Art Beat, April, 2012
“New Yorker,” Review. May, 2003.
“New Yorker” Review. May, 2008
Newhall, Edith, “Art: Galleries 57th Street Area,” New York, June, 9, 2003
Notizie, Verona. “Garutti-Silverthorne-Jessica Stockholder,” Flash Art, February-March, l996
O’Sullivan, Michael. “Jeanne Silverthorne: Vanitas,” Washington Post, February 7, March 7, 2013
Ostrow, Saul. “Interview with Jeanne Silverthorne.” Bomb Magazine, Summer, l990.
Pagel, David. Review. LA Times, December 24, 2014.
Prisant, Carol. “If These Walls Could Talk,” New York, April 27, l998.
Princenthal, Nancy, Review. Print Collector’s Newsletter, March-April, l992
Princenthal, Nancy. Review. Art in America, November, l994.
Princenthal, Nancy. Review. Art in America,October, 2008
“Pure Wow,” “Burning Bright: A Short History of the Light Bulb,” November, 2012
Rappaport, Brooke Kamin. “Where the Rubber Meets the Road,” Sculpture.Org , June 26, 2013
Relyea, Kie. “Source of Life.” Bellingham Herald, October 26, 2002.
Riley, Jan. “Jeanne Silverthorne.” Sculpture Magazine, June 2011
Rubinstein, Raphael. “”Shapes of Things to Come.” Art in America, November, l995.”
Rubinstein, Raphael. “The Powers of Magnification.” Art in America, November, l995, reprinted in Raphael Rubinstein, Polychrome Profusion—Selected Art Criticism: 1990-2002, Hard Press Editions, 2003.
Schaffner, Ingrid. Review. Sculpture Magazine, December, l990.
Sebastian, John. “Jeanne Silverthorne.” The New York Optimist, March 7, 2015
Shaheen, Steve, “Sculptors on Sculpture, Part 2,” Art Info
Sheets, Hilarie . “The Mod Bod.” Art News. June, 2001.
Silverstein, Joel. “Women Painters: Gender Identity and the Integration of Paint into Feminism.” Review, February 1, 2000.
Singer, Debra. “Jeanne Silverthorne.” New Art Examiner, June, l997.
Seigel, Jeanne. “Jeanne Silverthorne.” Art Today, Athens, Greece, November-December, l994.
Seigel, Jeanne. “Eva Hesse’s Influence Today? Conversations with Three Contemporary
Artists,” Art Journal, Summer, 2004, pp.73-88.
Smith, Roberta. Review. New York Times, June 15, l990
Smith, Roberta. Review. New York Times, July 3, l992.
Smith, Roberta. “One Collection, Many Stories From the Land of Mavericks.” New York Times, May 12, 2006.
Stuart. Susan. “The Open Studio,” University of Chicago Press, Chapter 11, “An After as Before.”
Sullivan, Michael. “Jeanne Silverthorne: Vanitas,” Washington Post, March 7, 2013
Taplin, Robert. “Jeanne Silverthorne at McKee.” Art in America, February 2001.
Tipton, Gemma. “The Ticket,” the Irish Times, August 11, 2006.
von Hardenberg, Irene. Åtelierbesuche. Gerstenberg Verlag, 2005.
Visual Art Source, “Jeanne Silverthorne at Shoshana Wayne Gallery, editorial: feature, January 2015
Whitney, Kay. “Love and Scarcity.” The New Art Examiner, December l996-January, l997
Wolf, Rachel, Wall Street Journal, “Burning Bright,” October, 2012
Weiner, Daniel. “A Letter to Raphael Rubinstein,” Brooklyn Rail, April, 2012.
Yablonsky, Linda. “Why Small is Big,” Art News, December, 2005, pp.122-28.
Youens, Rachel. “The Likeness of Being: Contemporary Self-Portraits by 60 Women.” NY Arts, Vol.5, No.l, January, 2000.
Joan Mitchell Foundation Award, 2010
Penny McCall Foundation Grant, 2002
Anonymous Was a Woman Grant, 1996
Fellowship, Civitella Ranieri Centre, Umbertide, Italy, l995
Pennsylvania Council on the Arts Fellowship, l982
National Endowment for the Arts, l980
Museum of Modern Art, New York
Whitney Museum of Art
San Francisco Museum of Modern Art
Albright-Knox Museum, Buffalo, NY
FNAC (Fondation Nationale d’Art Contemporaine), France
Denver Museum, Denver, Colorado
Progressive Corporation, Cleveland, Ohio
RISDI Museum, Providence, Rhode Island
Leeum.Samsung Museum, Korea
The Contemporary Museum, Honolulu, Hawaii
“Artist in Residence’ MA program Critical Theory and the Arts, 2014-15
Faculty, School of Visual Arts, New York, New York, l993-present
Columbia University, Graduate School of Fine Arts, 2000-2008
Maine College of Art, Graduate School of Fine Arts, 2000-2008
External Examiner , National College of Art and Design, Dublin, Ireland, 2002-2005
Sommer Akademie, Salzburg, Austria, l995-99
Co-founder of Theoretical Studies in Art, sponsored by White columns, New York, l993
Lecturer, Allliance of Independent Colleges of Art, l989-93
Lecturer, New York University, New York, l988-l996
Lecturer, Yeshiva University, New York l988-89
Lecturer, Chestnut Hill College, Chestnut Hill, Pennsylvania, l98l-84
Lecturer, Rosemont College, Rosemont, Pennsylvania, l982-83
Lecturer, Community College of Philadelphia, l978-88
Lecturer, Teaching Assistant, Temple University, Philadelphia, Pennsylvania, l975-77